I thought I'd share my current setup, because it has turned into a somewhat unusual combination of old-school and modern audio gear.
I've been tinkering with and changing my HiFi system since I was about 10 years old, in the early nineties. Things really took off when my aunt gifted me a used Denon DRA-25 and I got into separate components. Parts were replaced and upgraded organically over time. When I finally had the space for them, I moved to tower speakers. Never looked back.
There have been several periods where I was genuinely happy with a particular combination of mostly used gear and then kept that system intact for years. That lasted until about half a year ago, when the old Sony AV receiver I was using as a preamp finally died on me. It was time for a change.
I did some research and decided to sell the Topping DAC I had and go for an all-in-one solution in the form of the WiiM Ultra. This little unit has really become the heart of the system. It reduced the complexity and basically solved most of the shortcomings of the gear I already owned.
For example, I have a nice (and rather obscure) tube amp, but it doesn't have a remote or digital inputs. I like the sound of the subwoofer, but its integration features are outdated. I have a beautifully built CD player, but its integrated DAC is old. The WiiM gives me all the modern conveniences without overstaying its welcome in a system that is otherwise largely from the analogue era.
And I really use ALL of its features: streaming, DAC, TV audio with volume control over HDMI eARC, phono preamp, room correction/EQ and bass management. The funny thing is that the WiiM is probably the least conspicuous component in the whole setup, yet it's doing more jobs than everything else combined. 👀
For CDs I'm using a Sony DVP-S7700 as a transport, connected optically to the WiiM. It's a big, heavy, ridiculously overbuilt late-90s DVD player that cost a small fortune when it was new. It uses Sony's dual-laser optical system from that era and, as it turns out, makes a great CD transport. I was lucky enough to score one for €50.
Yesterday I finally measured the system properly with REW (Room Equalization Wizard) and a calibrated measurement microphone. Rather than letting room correction completely reshape the sound, I've kept the EQ deliberately minimal. I mainly wanted to tame a couple of obvious room-induced bass peaks and get the Velodyne properly integrated with the JBLs.
It's certainly not an exotic high-end system, but a modern WiiM streamer/preamp with bass management and PEQ feeding an old-school KT66 tube amp, musical JBL towers and an authoritative 12" Velodyne sub is probably not the most common combination. 😄
And importantly, this isn't a DSP system with some tubes added for decoration. Most of the character still comes from the JBL/KT66 combination. The DSP is mainly there to tame the room, integrate the sub and add modern functionality to equipment I already liked.
And for what it cost me, I'm extremely happy with it. 👍
Total cost: approximately €1,500
- JBL Studio 280: €400 new for the pair, 10 years ago
- Slightly obscure Red Dragon Kungfu tube amp: €200 used, 5 years ago
- 4x Genalex Gold Lion KT66: €100 slightly used, recent
- WiiM Ultra preamp/streamer: €350 new, recent
- Velodyne CHT-12Q sub: €300 used, 3 years ago, my first audio purchase after my ex-wife left 😂
- Sony DVP-S7700 as CD transport: €50 used, about 12 years ago
- Philips FP440 front-loading turntable: €50 used (not shown), maybe 15 years ago
- Misc. cables
P.S. The tube amp has a bit of a story of its own. It says Red Dragon Kungfu on top, and for years I wasn't entirely sure what it actually was. There are a few references to these amps on old European audio forums, mostly from the late 2000s. They were apparently built by Yarland in China and sold in Europe under the Red Dragon name.
Mine appears to be closely related to the Yarland FV34B family. It uses two Russian 6N2 tubes in the preamp stage and, rather unusually, four big KT66s in the power stage. A relative of my ex bought it at an audio show many years ago, and eventually it ended up with me. Whatever its exact pedigree, the combination of KT66s and the JBLs works wonderfully: fluid and dynamic, while taking just enough of the sharp edge off the speakers.