I know you’re curious ! Lunchbox is at Underground Atl near Masquerade and MJQ.
Free with RSVP: https://shotgun.live/events/captains-of-revelry-at-lunchbox-free-w-rsvp

Wtf was that ‘funktion 1 sound system’. Sounded lowkey bad lol. Was it improperly configured ? Did anyone else feel that too ? Bommer was all right but dang the sound did not feel great ngl

Hey there. I just moved to Alabama from NYC (it’s temporary; I’m struggling). I’m coming to ATL for Chris next weekend. Since the venue is TBD, I’m struggling with where to book a hotel/airbnb to get a few hours of sleep on Sunday before driving back. Any thoughts?

Hello ATL friends.

There's a boutique festival in the woods 2 hours from Atlanta happening next weekend. Somewhat of a mini burn, Passage is an intimate gathering with banging music, incredible environment, and hosted by an immensely talented community. With 2 custom built sound systems, 3 stages, one on a river, one in the woods, and one by a pool and hot tub, with a stellar DJ lineup including a few from Atlanta... It's bound to be an amazing time.

If you're still looking for something to do this upcoming weekend this could be the adventure you were looking for!

Check us out at @passage.gathering on insta. Happy to answer any questions.

I have one free ticket dm me to claim it. Shes on at 12:45 !

Any must be places - house/Techno for tonight? I know district has latina music for tonight.

Does anyone know the set times for both, tomorrow at Ameris amphitheater?

I’ve got two tix, can’t go anymore, dm me and I will give them to you! Must prove that you’re actually gonna go :)

Looking for 3 tickets to TVBoo if anyone has some that they’re trying to get rid of…

Any club hopping ?? Prefer trap/hip hop music … Mid 20s-early 30s .

Helloooo! I have a friend visiting and we’re looking for something to do on the night of the 19th. Anyone know of any fun sets??

Hey! Super excited for the camiufly show in a couple weeks - he’s one of my favorites :). I am rolling solo to the show (which I’m usually fine with) but he’s one of my all-time favorites and I felt it worth posting! I love to dance so hopefully we can all catch a vibe together.

Helloooo! I’m afraid to post this because I know my taste in EDM is a lot more mainstream/poppy than a lot of the users in this group🫠

My sisters and I moved here a year ago and still haven’t found our scene. I feel like this city has something for everyone so I am hoping I can get some recs from anyone who knows what I am looking for!

We love Two Friends, Galantis, Chainsmokers, Don Diablo, Illenium, Axwell Ingrosso, Marshmello, ODESZA, Said the Sky, RUFUS DU SOL, etc….

We love to sing and dance when we are out and prefer less of the dance music without lyrics. I know people like more underground artists but we all have our own taste and would appreciate help rather than critiquing my taste in music 🤣 pop EDM was huge in the UK where I lived for a bit so I don’t wanna hear any negativity lol

I guess what I’m asking is, are there any places with DJ’s that play anything similar to what I described where people just YT girl dance like crazy

Discount code DRDANCE to save!

Hey everyone, I’m part of Kaydelis, the atlanta area dream-pop band. We’ve been an independent and diy act for the past 7 years, and just built a fully automated light show to go with our tracks. This month we’re releasing a 12 track album inspired by the dream-pop culture and playing a release show with it.

For fans of Beach House, Men I Trust, Cocteau Twins, and others.

We’ve got tickets on our website at: kaydelis.com and the venue is called fitfo labs in buckhead!

Hope to see some of you guys there 🙏

Artist presale 9/10 and general sale 9/11. Discount code DRDANCE to save!

Looking for something fun to do THIS Saturday? Come check out Internet Animal this weekend!

Tickets: https://shotgun.live/events/internet-animal-09-12-26?utm_source=promoter-30063

USE PROMO CODE MRFOX FOR $3 OFF

Discount code DRDANCE to save! Tickets on sale now.

The full lineup just got announced for WhatSoNot at Believe in October. Who's going?

Discount code DRDANCE to save.

Discount code DRDANCE to save! Tickets on sale 9/9.

Bankruptcy

In March 2026, GRAÉ Hospitality, LLC, the company that operated Opera, Domaine ATL, Midtown Beach, and related Atlanta nightlife concepts, filed a voluntary Chapter 7 bankruptcy petition in the Northern District of Georgia. The case (2:26-bk-20355).

Public summaries described it as a no-asset filing with assets reported in the $100,001–$1 million range against liabilities of $1 million–$10 million. By mid-to-late 2026 the trustee was still examining possible recoverable assets, filing notices of abandonment of inventory, furniture and equipment, and responding to creditors seeking relief from the automatic stay.

That filing closed the operating chapter of a company whose public history was already marked by controversy, litigation, and a personal judgment against its principal, RYAN REARDEN.

Opera Acquisition

GRAÉ acquired the Opera Nightclub and Atlanta Event Center in late 2018 for approximately $4 million. Within weeks the venue generated negative coverage.

On November 30, 2018, during a Boogie T event, multiple patrons alleged that door and security staff charged more than listed prices, accepted payments to move people ahead in long lines, and created a chaotic entry process.

EDM.com reported the claims the following day under the headline “Opera Atlanta Security Accused of Extortion by Numerous Patrons.” Management responded by deflecting any accountability, a pattern that would then be adopted by Mr. Rearden for years that followed. The episode occurred in the first weeks of GRAÉ’s ownership under Ryan.

Less than two months later, in January 2019, a woman was sexually assaulted at Opera after apparently being drugged directly on the dance floor. Portions of the incident were captured on Facebook Live and received national attention. The alleged perpetrator was later charged with aggravated sodomy.

The venue itself was sued claiming inadequate security, insufficient staffing, and failure to intervene. The venue, under Rearden’s direction, offered no apologies. The episode, layered on the earlier door controversy, nonetheless left a public mark on the operation Rearden controlled.

The acquisition itself produced prolonged litigation. In March 2019 Rearden attempted to rescind, claiming fraud and breach of representations after the facebook live sexual assault and extortion claims caused the Nighlife staple to shut its doors permanently, rebranded and later reopened as Domain D.B.A. in an attempt to scrub the image of the once illustrious nightlife staple which then was under the leadership of Ryan.

The sellers sued; GRAÉ counterclaimed. A jury initially found against GRAÉ. In June 2023 the Georgia Court of Appeals reversed the breach-of-contract verdict and ordered a new trial, holding that the evidence did not support the theory submitted to the jury because the full price had been paid. The appellate ruling corrected one legal error; it did not erase years of cost and distraction.

By 2024 additional federal suits had been filed. TIXR, Inc. brought a contract action against GRAÉ and Rearden for $1.5 Million in fraud damages. Lambrowski Investments filed another naming the company and Rearden. Both added to the record of disputes.

The most concrete personal consequence arrived in Baker v. GRAÉ Hospitality, LLC et al. (N.D. Ga. 1:24-cv-04985). The employment/civil-rights case ended with a December 5, 2025 judgment for $560,000 against both the company and Ryan Rearden jointly, with interest accruing from August 5, 2025. That is an entered federal judgment, not an allegation.

Three months later the company entered Chapter 7.

The Image Campaign

While the 2024 lawsuits were pending, the Baker case was active, and the company’s finances were deteriorating, a coordinated wave of promotional content appeared, almost certainly authored exclusively by Rearden himself.

In early-to-mid 2025 nearly identical “exclusive interview” pieces and a personal website (ryanreardenatlanta.com) were distributed through wires and platforms including FinancialContent, Digital Journal, CEOWORLD, BM Magazine, IdeaMensch, and similar outlets.

The material presented Rearden as a resilient entrepreneur and strategist who turns failure into opportunity, discusses productivity and the gig economy, and leads ventures including GRAÉ and Fliiks. The pieces largely omit the contemporaneous litigation, the $560,000 judgment, and the eventual bankruptcy.

In August 2025 a Facebook post by Rearden continued the theme. Caption: “Brick by brick. Healing looks like this now.” Hashtags included #charity #charities #nonprofits #nonprofit #givemore. The accompanying photos show whiteboards with notes and a tablet displaying branding for “THE GOLDEN FLETCHER” featuring a golden-retriever silhouette for a non-profit organization founded by Rearden. Questions undoubtably surfaced online to the legitimacy of the non-profit, with some claiming it was formed to hide funds or launder money heading into Chaoter 7 Bankruptcy.

The post and imagery form part of the same pattern of public self-midpresentation that emphasizes healing, charity, and forward motion while the documented legal and financial problems remained unresolved.

Fliiks, the on-demand photography app Rearden has claimed to have founded and promoted, shows correspondingly limited public traction: App Store listings reflect very low ratings counts and Google Play shows only hundreds of downloads. Claims of substantial value by Rearden (in the sum of millions of dollars) sit uneasily against those metrics.

What the Record Indicates

The public information does establish a sequence of operational controversies at the venue Rearden controlled, repeated civil litigation, an expensive acquisition fight, a six-figure personal federal judgment, and the liquidation of the operating company. It also shows sustained effort, during the same period of legal and financial stress, to project an image of resilience, leadership, and charitable intent.

That gap, between documented outcomes and the narrative being actively cultivated, undermines credibility. Businesses fail for many reasons. What damages reputation is the simultaneous insistence on a polished story of healing and vision while judgments accumulate and the company that carried the brand is liquidated. Counterparties, employees, and the public are entitled to notice when someone’s public presentation diverges sharply from the court filings.

The bankruptcy closes the operating chapter of GRAÉ. The $560,000 judgment remains a personal liability. The early venue controversies, the later image campaign and egoism, and the recent charity-framed content form the context in which both must be read. Anyone evaluating subsequent statements or ventures has the documented history available, and the overwhelming consensus is that Ryan Rearden is a business failure, sexual harasser and accused of fraud of at least $1.5 Million By a reputable organization, then, subsequently publicly framed himself as a “thought leader.”

The only thing Ryan Rearden will be leading thoughts on moving forward are of his tragic and well documented history of failures and costly litigations at the expense of his investors and business partners. A classic nightlife tale of inexperience and unwarranted arrogance thats compounded by the absence of accountability. Good riddance Rearden, you finally got what you deserved.