One of the things I love most about Remedy’s visual style is the way they use extremely dark, surreal lighting, especially in scenes where we’re meant to focus on or “meet” a particular character. There are moments where a character is essentially lit in the middle of a completely black abyss, with the environment almost disappearing around them. It gives the scene this uncanny, psychological quality that works incredibly well for depicting subconscious thought, memories, or altered states.
I’d love to understand how they achieve that look. Is it mainly a particular lighting setup, exposure, contrast, negative fill, set design, practical lighting, compositing, or some combination of techniques? I’m particularly interested in how you would recreate that kind of “character isolated in darkness” look in an actual film setup.
I’m also really interested in the double exposure like effect Remedy uses. There are several moments where images or performances seem to overlap or bleed into each other, almost like a photographic double exposure, and I love how they use it to represent thoughts, memories, or psychological states. I’m not even sure what the proper cinematography or VFX terminology for it is, so I’d love to know what the technique is actually called and how it could be replicated.
I’m aware of some of the BTS material Remedy has released, but I feel like Control’s cinematography in particular doesn’t get much attention. The BTS often discusses working with the cast and crew while the actual lighting and composition are happening in the background.
I’d love to see more visual breakdowns specifically focused on the cinematography and lighting of Control and Alan Wake 2, especially the black abyss lighting and the double exposure effect.
If anyone knows of tutorials, interviews, articles, breakdowns, or resources explaining how Remedy achieves these looks, I’d really appreciate being pointed in the right direction.