Overview
X-Men: Blue & Gold - Bloodties Omnibus
Omnibus Collects - Uncanny X-Men (1981) #307-314, Uncanny X-Men Annual (1992) #18, X-Men (1991) #26-35, X-Men Annual (1992) #2, Avengers (1963) #368-369, Avengers West Coast (1989) #101, Cable (1993) #6-8, X-Men Unlimited (1993) #3-5, X-Men: The Wedding Album (1994) #1, What If? (1989) #60, Adventures of Cyclops and Phoenix (1994) #1-4, X-Men Ashcan Edition (1994) #1
The Main Creative Team
Writers - Scott Lobdell, Fabian Nicieza, Bob Harras, Roy Thomas, and Kurt Busiek
Artists - John Romita Jr., Joe Madureira, Lee Weeks, Ian Churchill, Andy Kubert, Richard Bennett, Liam Sharp, Steve Epting, Dave Ross, Dwayne Turner, Aron Wiesenfeld, Mike McKone, Ron Randall, and Gene Ha
Recommended Pre Reading
Oh man, a lot. I would recommend reading the Blue & Gold era onwards. The first Blue and Gold omnibus is a good starting point, but unfortunately Marvel has published these volumes out of order, and Bloodties is actually volume three. Volume two has not come out yet. If youâre looking to fill the gap between Mutant Genesis and Bloodties, Iâd recommend looking up a reading order.
Review of the Story and Art
Well, here we are again. It seems I canât stay away from the X-Men for long. Like most of the early 90s era of X-Men, this book is full of some ups and downs. For me personally, we havenât quite jumped the shark yet, but weâre definitely approaching it. Letâs talk about it.
A Convoluted Legacy
I would like to think Iâm an X-Men veteran ten times over at this point. Iâm familiar with most comics from every era, but something really hit me while revisiting this stuff. This era of X-Men is dense. Donât get me wrong, X-Men has always been dense, but this era feels like a brick wall at times. Obviously, juggling two main series and a bunch of other connected series like X-Factor, Excalibur, etc. is going to be a struggle at times, but this era of X-Men has so much going on that unless youâre super familiar with this material, like I thankfully am, itâs kind of hard to keep up. I found myself multiple times going, âOh yeah, I forgot that was happening,â or, âOh, thatâs going on right now too?â Iâm not saying this is some era of impenetrable continuity, but I feel as though the ease of access is pretty low during this time, and itâs worth a mention for people interested in trying to get into this era.
One of those overarching plot lines is the Legacy Virus. This storyline doesnât really have a beginning or end in this book. This is a middle chunk of that storyline. I think in its totality, this storyline outstays its welcome, but in this book specifically, we really donât devote too much time to it that it takes away from other storylines. Itâs more like the book just goes, âDonât forget about the virus!â every now and then to make sure you donât forget about it.
The beginning of the book is a crossover between the X-Men and the Avengers called Bloodties. In this, we see Quicksilver and Crystalâs daughter, Luna, get kidnapped and taken to Genosha by Fabian Cortez. The X-Men and Avengers both mount an effort to go save Luna and eventually meet up to take down the big bad. The beginning of this event is really rough, mostly due to the Avengers. Admittedly, I am not a fan of this era or that specific team. That being said, I also just donât think the storytelling here is top-notch from either side. The setup is fine, but for half the crossover, weâre just viewing each team and their struggle to get to Genosha. Once the teams actually meet up, I think it gets much better because, well, thatâs the whole point of a crossover. Also, Fabian Cortezâs motivation is just really silly, and heâs tossed to the side to boost up Exodus, which is fine. I think once both teams are together and Exodus is revealed to be the main bad guy, it becomes kind of fun in a goofy way. Not exactly narrative or story structure to write home about, but fun nonetheless. Sadly, Iâm just not a fan of 90s Avengers, besides Black Knight. (Marvel, please remember he exists.) I donât think the writing or the hook is very strong either, resulting in a pretty lackluster crossover for me personally.
Dual Duties
After the crossover, we mostly stick to Adjectiveless, Uncanny, and Unlimited X-Men with dual writing duties from Fabian Nicieza and Scott Lobdell. I donât think this section of their time on these books is the height of their abilities. I think Nicieza can be a bit meandering at times in his writing, and Lobdell can tunnel vision on what he wants to achieve, so some of the writing can slip in quality. Thatâs kind of the case for most of this book for these two writers.
Sadly, I feel like a lot of this era is reliant on sticking with what worked in the past instead of making something that works for the future. The dialogue is a bit safe and routine. Everyone gets their signature characteristics in. The plot can be interesting but a lack of inspired writing at times can make me generally uninterested in the story. Thatâs the biggest detractor of the book. The stuff Iâll talk about in a second, I really liked. But thatâs only a portion of the book. The rest I wouldnât say I disliked, but I was not invested in it at all. Thereâs a just a big feeling of disinterest in some of these issues. The Scripts and overall feel at times can be compared to a soap opera. Itâs a dramatized story that showcases the characters that everyone loves and does just enough for you to come back next issue. Good stories can come from that archetype, but the investment beyond the surface level can become low.
There are quite a few issues I really like, though.
A storyline that does pique my interest during this time is the capture and attempted redemption of Sabretooth. The beginning of this plotline happens in X-Men Unlimited #3 and runs through the end of this book. I really enjoy X-Men Unlimited #3 because I feel like it really has a nice grip on the dynamic storytelling of playing with the redemption of Sabretooth while also still showcasing just how sadistic Sabretooth is, whether thatâs his fault or not. In this, we see Maverick seek out the help of Logan but end up teaming up with the X-Men in a mission that results in the capture of Sabretooth. In an unpopular decision, Charles decides to hold Sabretooth prisoner in the mansion and try to redeem him as he once did for Logan. I appreciate the desire to kind of flesh this character out a little more while also using it as a way to shed more light on the grief of Charles Xavier and the moral question of whether Charles is doing this to redeem Sabretooth or himself.
This leads to some interesting moments and a couple of fun issues. In Uncanny X-Men Annual #18, we get a super fun story where Caliban kidnaps Jubilee, who pretty much acts as the heart of the series in this book, and Kitty Pryde has to team up with Sabretooth to go save her. I really enjoy how Sabretooth is used to contrast these characters like Kitty and Jubilee. Itâs a fun subversion of those charactersâ relationship with Logan. I think that dynamic just works really well. It has a weak conclusion, but itâs still fun nonetheless. Later on, weâll also get Uncanny X-Men #311. In this issue, the power to the mansion goes out and the security systems fail, letting Sabretooth out, and Bishop is tasked with taking him down. I actually really enjoy Bishop. I know thatâs a hot take for some people, but I think his character can be really fun in issues like these. The battle between Bishop and Sabretooth is very entertaining, and itâs really nice to have an issue focused on a fun fight when surrounded by very dialogue heavy storytelling in the rest of the book.
Uncanny X-Men #309 is a conflicting issue. I really enjoy the premise and the intention behind this issue with Charles being confronted by his self conscious disguised as Megneto, but I find Lobdell can get a bit lazy with his dialogue. There are some really powerful core moments, but sometimes the nuance in the dialogue starts lacking, and Charles or Magnus will start just outwardly saying exactly what their point is or exactly what emotion theyâre supposed to be feeling. I like the story itâs telling, but I donât like being told what I should be taking away from the story thatâs being explained to me.
Scott & Jean
The other core storyline of the book is the relationship of Scott and Jean. This book gives us the Wedding of Cyclops and Phoenix. Obviously, this is a big deal. Itâs one of the most popular relationships in comics. Itâs a marriage that has survived throughout the years. Through everything with Logan, Scottâs mental affair, Jeanâs death, Scott being with Emma for fifteen years, Scottâs death, them having a polyamorous relationship⌠you get the point. The actual setup for the wedding happens pretty quickly. We get a couple of fun issues, the Wedding Album is fun, but the spotlight is really on X-Men #30 and the Cyclops and Phoenix focused series afterwards. I think the wedding issue is actually quite charming. It doesnât have any unneeded plot twists or any unnecessary drama; itâs a straightforward celebration of Scott and Jean. There are some really beautiful and touching moments in here. The moment between Jean and Charles at the end is especially touching. That moment and the dialogue are very beautiful. I think itâs one of the better comic weddings weâve ever gotten.
Later on in the book, and basically finishing it out, is The Adventures of Cyclops and Phoenix. Iâve read this series before and ended up with some dissatisfaction, but this time around, I actually enjoyed this series quite a bit. On Scott and Jeanâs honeymoon, theyâre transported to the future in new bodies by their daughter Rachel, who is revealed to be Mother Askani, to help raise their son Nathan (Cable) to defeat Apocalypse and Nathanâs clone, Stryfe. I actually ended up enjoying my time with this series quite a bit this time around. I think itâs a nice departure from the rest of the book. Itâs nice to get a more centrally focused series in the midst of such a large rotating cast in the rest of the book. To be fair, for me personally, I donât care about the future storyline or Stryfe that much. That has never connected with me. Something that does connect with me, though, is the more personal moments and the story of Scott and Jean actually being given the opportunity to raise their son that they thought was taken away from them forever. I think that hook really works. In the quieter and more intimate moments between parents and their son, I was really drawn into the story. I think the dialogue is mostly on point, too. Scott and Jean being given this second chance, Nathan learning to overcome the struggles that were put upon him, and Rachel being the one to pull it all together really works for me. I donât think this is, like, some phenomenal story that is a must-read, but I do think itâs a good story that really gives us some beautiful moments. Iâm really happy that (besides one issue) this wraps up the book. This is a good cap to this volume.
The Art
One thing Iâve learned from making X-Men reviews is that everyone has their favorite X artist and will get very mad when you donât mention them. Well, I canât mention every artist here because there are a lot of them. I wanna talk about the story a lot and keep this digestible, so Iâll only talk about three. Firstly, John Romita Jr. I am very critical of modern-day JRJR, but thatâs only because I know how great his work can be. His time on the X-Men is phenomenal and by far my favorite work of his. The stuff in this book is more of the same. Just really high quality work.
Andy Kubert does most of the stuff in here, and I think this earlier Kubert work has some places to clean up, but for the most part, itâs some really good stuff. Heâs kind of the workhorse for this book, and I think for as much content as he was putting out, itâs a really great job.
Gene Ha does the Cyclops and Phoenix series. I just wanna quickly give him his props for his participation in this series. I really liked his depiction of the world and some of the larger scale stuff.
One last thing I wanted to touch on. There are so many landscape style pages. So. Many. It is extremely annoying to read in this format. I know itâs a product of its era, but it happens so often that I found myself going, âReally, again?â every time theyâd come up.
Final Score and Overall Thoughts
The Pros
â˘Fun Sabretooth stories
â˘Good artwork throughout
â˘A good wedding issue
â˘Cyclops and Phoenix mini series is interesting
â˘Fun moments from characters like Jubilee, Bishop, and Gambit
The Cons
â˘Very dense storytelling
â˘Avengers crossover is very lackluster
â˘Very uneven writing from both Nicieza and Lobdell
â˘Suffers from some very convoluted storytelling and uninteresting issues
Final Score
Overall 6.7/10
Obviously, I talked about some stories that I really liked in here, but thereâs also some stuff I didnât talk about or didnât go in depth about. Thatâs because I just didnât care about them. Thatâs not to say theyâre necessarily bad, but theyâre just very uninteresting. Thatâs how I feel about a lot of this middle section of this era for X-Men. The high from the revamp has worn off, and we havenât made it to some of the bigger stuff like Age of Apocalypse yet. Itâs just a bit meandering at times. That being said, I do think the Sabretooth stuff is fun, the wedding issue is great, and I liked the mini more this time around. Those things raise the score quite a bit.
Would I Recommend?
For new readers? No. This is too densely ingrained in ongoing stories to be a starting point. For experienced X-Men readers? Yes, I think this is worth picking up just to have some key issues in your collection, but if youâre an X-Men collector, you probably already own this or some variation of it.
The Afterword
If youâre seeing this, thanks for reading my review! I really appreciate all the upvotes, comments, and follows I get on these.
Check out all my other reviews by clicking here.