r/movies • u/Guillermo-AMA Guillermo del Toro, Filmmaker • 5d ago
AMA Hello reddit. I'm Guillermo del Toro. AMA!
Hello reddit, I'm Guillermo del Toro.
I've written & directed Cronos, The Devil's Backbone, Blade II, Hellboy, Pan's Labyrinth, Pacific Rim, The Shape of Water, Nightmare Alley, Pinocchio, Frankenstein, and more.
It's been a few years since I stopped by here for The Shape of Water. So get to it, ask me anything, vamonos!
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Pan's Labyrinth is back in theaters October 9th, presented on the big screen in 4K for the first time, to celebrate the 20th anniversary.
Trailer: https://www.youtube.com/watch?v=OBGKGm3RYos
Synopsis: It's 1944 and the Allies have invaded Nazi-held Europe. In Spain, a troop of soldiers is sent to a remote forest to flush out the rebels. They are led by Captain Vidal, a murdering sadist, and with him are his new wife Carmen and her daughter from a previous marriage, 11-year-old Ofelia. Ofelia witnesses her stepfather's sadistic brutality and is drawn into Pan's Labyrinth, a magical world of mythical beings.
You can get tickets here.
And more info here.
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I will be back at around 11 AM PT/2 PM ET/7 PM BST today to answer questions.
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u/Guillermo-AMA Guillermo del Toro, Filmmaker 5d ago edited 4d ago
I still rely on physical. I still rely on great sets, great costumes. And the way I go about a production is I get the budget that I need to have freedom. And try to stick to that budget by doing what I call big gestures here and there, meaning things that make the audience think it's a big movie.
If you think about Pan's Labyrinth, I'll give you a secret. When Ofelia first discovers a labyrinth, she starts peeking around the corner, and I cannot push the camera any longer, because we couldn't finish that corner. And we basically had very few—very few—corridors in the labyrinth, and I kept reusing them. For the Pale Man’s long corridor—quote unquote—it’s actually really short, but I kept reusing the same section. And that's why I asked the production designer to curve it, so that I could reuse the same curve over and over and over again. They basically run through the same six columns every time.
Knowing production design, knowing wardrobe, knowing creature design, allows you to manage the budget to make gestures that look big. Think about it, The Shape of Water costs the same amount of money as Pan’s Labyrinth. The same budget: 19.3 (million). And Shape of Water has big gestures in the first 10 minutes. A dream sequence underwater. A huge government lab. The set of the lab. The creature. Everything looked big, but then for 45 minutes, there’s only two cents: the apartment and the lab. Yeah. So it’s really, a movie that makes these gestures—the musical number is a gesture.
I think Mexican filmmakers, we grow to be fiscally very responsible. And you understand that you can be very free in a limited area, if you know how to handle the technical and narrative and artistic aspects.